Emilia and Iago meet her too and Emilia discusses the ways which could have poisoned Othello’s mind. Othello is trying, even after swearing that Desdemona was unfaithful, not to condemn her too harshly. Summary Act 4 SCENE 1 Having told Othello that he knows for a fact that Cassio is in possession of Desdemona’s handkerchief, Iago makes light of the situation, arguing that once ownership of the handkerchief changes hands from Othello to Desdemona that Othello should be content to let the fate of the handkerchief lie entirely to Desdemona’s discretion. Having made the accusation and been denied, he reacts with anger rather than reassessment. As Cassio shows what a ladies man he is, Iago plots ways to use that against him. Act 2 scene 3 – Iago That shall enmesh them all … Act 3 scene 3 – Iago I will in Cassio’s lodging lose this napkin / and let him find it Trifles light as air / are to the jealous confirmations strong / as proofs of Holy Writ: Iago realised the handkerchief represents their faith and commitment Iago uses this as proof that Othello … Chapter Summary for William Shakespeare's Othello, act 5 scene 2 summary. This is a subtle whore, A closet, lock and key, of villainous A room in the castle. She calls him "some eternal villain, / Some busy and insinuating rogue, / Some cogging, cozening slave" (132-134), and Iago must stand and hear himself described in these uncomplimentary terms. The wedding sheets are then hung out on the balcony, to show to all that the bride had been a virgin. (4.2.128-129), "I will be hang'd, if some eternal villain, / Some busy and insinuating rogue, / Some cogging, slave, to get some office, / Have not devised this slander; I will be hang'd else" (4.2.130-133), "Fie, there is no such man; it is impossible" (4.2.134), "Some such squire he was / That turn'd your wit the seamy side without, / And made you to suspect me with the Moor" (4.2.145-147), "Alas, Iago, / What shall I do to win my lord again?" She says that her sin is that she loved him. Before the castle. Othello thinks of killing her finally so that she doesn’t trap more men. This is a subtle whore, A closet, lock and key, of villainous Share. Othello is a tragic hero. Act 4, Scene 2 of Shakespeare's OTHELLO, with notes, line numbers and search function. CliffsNotes study guides are written by real teachers and professors, so no matter what you're studying, CliffsNotes can ease your homework headaches and help you score high on exams. Share. Iago, who has pocketed Roderigo's money and jewels for himself, must now move quickly to protect his acquisitions and to prevent Roderigo speaking directly to Desdemona and revealing Iago's illegitimate activities. In some ways, she really believes her husband is an honest man, although her opinion of men in general is not high. Othello and Emilia are talking. Next. Away! Emilia is developing her theory about the person who is corrupting Othello's mind. For the audience at this point, there is the madly delightful prospect that Iago could be brought down by Roderigo, his own dupe. Act 4, scene 2 Themes and Colors Key LitCharts assigns a color and icon to each theme in Othello , which you can use to track the themes throughout the work. Desdemona wakes up and asks him sweetly to which he answers that at last, she must repent for all her sins. away! A terrible storm has struck Cyprus, just as the Turks were about to approach. Othello meets Emilia and asks her regarding Cassio and Desdemona to which Emilia reacts with the truth that she has never noticed any such activities between them. He then questions Desdemona herself, calling her ‘Impudent strumpet!’ and ‘cunning whore of Venice’, but does … Othello treats Desdemona as though she were a whore. Othello | Act 4, Scene 2 | Summary. Summary. Desdemona asks Iago to convince him into the right path of thinkin… Scene 2. Exeunt Desdemona and Emilia. Read our modern English translation of this scene. It opens upon Othello, Iago, and some gentlemen from Cyprus. Othello Act 4, Scene 2 Seminar Plot Summary Elements of Tragic Hero Syllabus Theme of Jealousy RODERIGO CHARACTERIZATION Internal Conflict Tragic Flaw She says enough, yet she’s a simple bawd That cannot say as much. Click to copy Summary. Summary: Act IV, scene i. Othello and Iago enter in mid-conversation. (4.2.148-149), "Unkindness may do much; / And his unkindness may defeat my life, / But never taint my love" (4.2.159-161), "Go in, and weep not; all things shall be well" (4.2.171), "I do not find that thou dealest justly with me" (4.2.173), "'tis not very well: nay, I think it is scurvy, and begin to find myself fopp'd in it" (4.2.192-194), "assure yourself I will seek satisfaction of you" (4.2.199-200), "Why, now I see there's mettle in thee, and even from this instant to build on thee a better opinion than ever before" (4.2.204-206), "I will hear further reason for this" (4.2.244). All Acts are listed on the Othello text page, or linked to from the bottom of this page.. ACT 4. Scene 2. Othello denounces Desdemona to … Act 4 Scene 2. Othello, rather than abandon his suspicions, believes Desdemona is so cunning that she has managed to deceive even her maid. (4.2.70), "Was this fair paper, this most goodly book, / Made to write "whore" upon? They all come under the heading of "false" women. Like and Subscribe! Emilia vehemently denies any wrongdoing, but Othello doesn't believe her. . Summary. He asks her if she has seen Desdemona with Cassio, or if she has left her mistress's side. Roderigo appears, demanding Iago's attention for a previous scheme that suddenly threatens to unwind. Roderigo regrets the situation that he has gotten himself in, and he wishes to withdraw. "If any wretch have put this in your head, / Let heaven requite it with the serpent's curse!" He is talking with Iago about the handkerchief still, and its significance in being found; but, soon, Iago whips Othello into an even greater fury through mere insinuation, and Othello takes the bait. All Acts are listed on the Othello text page, or linked to from the bottom of this page.. ACT 4. It only takes Iago one scene to talk him into believing his wife is untrue. Act 4, scene 2 Themes and Colors Key LitCharts assigns a color and icon to each theme in Othello , which you can use to track the themes throughout the work. Removing #book# Synopsis of Act 4 Scene 2 Othello interrogates Emilia to discover any evidence of misdemeanours between Desdemona and Cassio and does not believe her testimony that Desdemona is virtuous. bookmarked pages associated with this title. She declares Desdemona to be a pure and faithful wife. He calls her whore and a faithless wench. (4.2.110), ; for, in good faith, / I am a child to chiding" (4.2.113-114), "Alas, Iago, my lord hath so bewhored her. Wedding sheets are one of the major items in a well brought-up young woman's set of household linen that she brings to her marriage. So wedding sheets have both intimate and public connotations of things being done according to correct procedure. A messenger enters, and confirms that the Turkish fleet was broken apart by the storm, and that Cassio has arrived, though Othello is still at sea. Cassio greets them all, especially praising Desdemona; somehow, Iago and Desdemona enter into an argument about what … However, Iago joins his two plots, enrolling Roderigo in the plan to kill Cassio, and Roderigo's rebellion fades away. (4.2.57-60), "a cistern for foul toads / To knot and gender in!" She tells him of the nobility of her lady. Scene i: After crossing the sea, Desdemona, Emelia, Cassio, and Iago arrive at Cyprus. Summary: Act IV, scene ii. how do you, my good lady?" SCENE 2. Learn vocabulary, terms, and more with flashcards, games, and other study tools. In Othello's interview alone with Desdemona, Shakespeare balances hope and dread, ensuring emotional involvement. Othello, nearly insane with jealousy, aggressively questions Emilia about Desdemona and Cassio's relationship. He summons his wife, asking Emilia to leave, then confronts Desdemona and, despite her protestations of loyalty, calls her a whore. Othello questions Emilia about Desdemona and Emilia defends her saying ‘For if she be not honest, chaste and true there’s no man happy’. Exhausted, Desdemona knows that she is being punished, but she does not know what for. (4.2.61-62), "Patience, thou young and rose-lipp'd cherubin,-- / Ay, there, look grim as hell!" Emilia tells him that he's crazy—she has observed Cassio and Desdemona every minute they were together, and nothing remotely suspicious has happened. Othello tells her to bring Desdemona to him. But Othello does not seem to believe. / Thrown such despite and heavy terms upon her, / As true hearts cannot bear" (4.2.115-117), "How comes this trick upon him?" 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